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programme. So he used an alias Harry

Gray but he was seen and was reported to

his employers and was duly sacked.

Two years later in Altrincham

Cheshire Henry John Flay a resident

and business man was involved with the

“Altrincham Garrick Society”. Their first

production was “The Silver Box” in 1914

and the scenery was hired from the Gaiety

Theatre Manchester.

Amateur theatre is an integral part of our lives and has been since the ancient Greeks. I will leave you with something to consider. It is the

quote from

A Midsummer Night’s Dream

that was used as the strap line for the Gaiety programme …

“Our true intent is all for your delight”

The Border Studio started as a ‘bright

idea’ in 1961 of Leslie Garner and what

has followed since then have been years of

hard work, aiming to design and produce

spectacular, professional standard sets which

have brought The Border Studio to where it

is today – well established as not only one of

the longest running businesses of its kind in

the UK, but also one that is held in the highest

regard.

The Border Studio is known for its

creatively designed, handcrafted sets and for

its spectacular, and ever-growing selection of

backcloths, all of which are hand painted on

site by the resident scenic artist. Even a few

of Les’ original cloths are still regularly hired

out, albeit with some careful renovation!

The Border Studio prides itself on being

able and equipped to design and build nearly

anything within their custom renovated

premises, which feature a specialist paint

frame, carpenters’ shop and paint shop. It

could be a giant gold Buddha, an exploding

pantomime car, or even a saluting Nazi pigeon

for

The Producers

, and this is a testament not

only to the skill and dedication of its staff, but

also to Les’ lasting legacy.

Les was a talented craftsman who spent

nearly all his life honing his skills as a scenic

artist – and even after retirement he continued

to paint daily. Born in North London, Les

spent years painting backcloths and scenery,

having attended night classes at Art College

in his youth. He started out painting for the

Ralph Reader Gang Shows, and for Moss

Empires until eventually he rubbed shoulders

with many famous entertainers whilst painting

for the London Palladium, and the Royal

Command Variety Shows. It was at the

Palladium that he met Erte the designer, as

well as a young Julie Andrews!

Along with an obvious theatrical and

creative flair, Les was also fond of a good joke.

In his younger years he shocked his mother as

he decorated the hot water boiler with a large

ornate Chinese dragon instead of the traditional

‘lick of paint’ she had requested, and on one

infamous occasion even disappeared for two

weeks – having spontaneously joined the crew

of a banana boat set for the Caribbean!

These talents were all put to good use

during the War however, as he utilised them to

help boost morale amongst the troops, drawing

amusing caricatures of war figureheads, and

once, when he wassheltering overnight in

a German farm, all the pigs mysteriously

developed patterns of gold stars across their

coats – much to the farmer’s surprise!

He continued to paint professionally after

the war, working at the George Black Studios

in Brighton and it was here he recognised a

significant gap in the market for a professional

scenery hire company in Scotland. Up to

this point, most theatres relied on in-house

teams to design and construct their sets, and

amateur companies

could rarely get their

hands on specially

painted scenery or

backcloths – instead

depending on having

a willing joiner or

craftsman to lend a

hand!

From this light

bulb moment, and

with £500 from a

supportive

bank

manager,

The

Border Studio was

born, operating first

from a small garage

in Selkirk – the

Scottish Borders hometown of his beloved

wife, Muriel, and later moving to a larger

disused woollen mill as demand increased. To

date, the Border Studio has upgraded to larger

premises 3 times, and now operates from a

36,000 sq ft converted woollen mill, and still

remains in Selkirk.

His daughter Kate joined him in the firm in

1979, continuing to help grow the business and

increasing the staffing to help cope with the

huge demand for their quality sets. Previously,

Les had always operated as a one-man band,

and he continued to play an active part in the

business until well into his seventies, and

continued to enjoy the satisfaction of seeing

the fruits of his hard work continue to thrive.

Earlier this year, Kate’s youngest daughter

Tamsin joined the business, taking it into its

third generation. The Border Studio continues

to look at its heritage and strives to continue

producing its creative, handcrafted sets

and exceptional backdrops, but this new

development also has The Border Studio

looking to its future and the many opportunities

that are on the horizon.

Keeping up with the new social and digital

age The Border Studio is now on Facebook

and Twitter, where our pages are regularly

updated with pictures of our new sets and

cloths, photos from recent shows, as well as

a few funny goings on from inside the Studio

itself, which reflect the theatrical nature of the

company.

We also have a brand new website

being launched shortly. It will reflect our

Focus on …

Village Scene from

Beauty and the Beast